Review: Mahler Chamber Orchestra
Mozart is a reliable crowdpleaser, but the Mahler Chamber Orchestra offer a particularly inspired performance of the composer’s final works. The post Review: Mahler Chamber Orchestra appeared first on...
View ArticleA sigh of the times
By giving nature a voice, the immersive and the earth sighed highlights humanity’s impact on the environment. The post A sigh of the times appeared first on The Adelaide Review.
View ArticleReview: Man With The Iron Neck
Racism, inherited trauma and memory collide in a compelling and challenging performance from Legs on the Wall. The post Review: Man With The Iron Neck appeared first on The Adelaide Review.
View ArticleReview: Rhye at The Palais
Rhye bring a unique brand of lo-fi dream pop to Adelaide Festival's Palais stage. The post Review: Rhye at The Palais appeared first on The Adelaide Review.
View ArticleReview: Out of Chaos
Adelaide success story Gravity & Other Myths show off their extraordinary acrobatic talent and creative approach to circus in Out of Chaos. The post Review: Out of Chaos appeared first on The...
View ArticleReview: Manus
The 75 inescapable minutes you spend watching the verbatim accounts of Iranian refugees held on Manus and Nauru are a painful reminder of Australia’s cruel offshore detention policy. The post Review:...
View ArticleReview: Ulster American
A dark comedy for these times, Ulster American is extremely funny, extremely uncomfortable and a little shocking. The post Review: Ulster American appeared first on The Adelaide Review.
View ArticleReview: Zizanie
Dance began this year’s Festival with Meryl Tankard’s Two Feet and ended it with her newest work, Zizanie, for Restless Dance Theatre, Adelaide’s multi-award-winning company for performers with and...
View ArticleAdelaide Festival 2019 in review: A season of spectacle
This year’s Adelaide Festival program delivered a cracking assortment of theatre, opera and dance. The Adelaide Review highlights the best of the 2019 season. The post Adelaide Festival 2019 in review:...
View ArticleAdelaide Festival celebrates life, death and Mozart in first 2020 announcement
Having made its international premiere in Aix-en-Provence earlier this month, Romeo Castellucci’s new production of Mozart’s Requiem will head to South Australia as the first piece of the 2020 Adelaide...
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Review: They Might Be Giants
They Might Be Giants brought their eclectic songbook to the Torrens in an energetic Palais performance. 5 March 2019 by DM Bradley Adelaide Festival Music Share Facebook Twitter Certain commentators...
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Review: Counting and Cracking
The ambitious Counting and Cracking is the Sri Lankan epic Australia needs to see. 5 March 2019 by David Knight Adelaide Festival Performing Arts Share Facebook Twitter This country’s cruel asylum...
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Review: A Man of Good Hope
One man’s tale of displacement, loss and resilience is brought to life through choral harmonies, dance and an infectious ensemble performance. 6 March 2019 by Walter Marsh Adelaide Festival Performing...
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Review: La Reprise
There is much to unpack in this unconventional and at-times confronting staging of a 2012 Belgian hate crime and its aftermath. 6 March 2019 by Peter Krieg Adelaide Festival Performing Arts Share...
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Review: Trio Mediaeval with Arve Henriksen
On their first visit to Australian shores, Norwegian singers Trio Mediaeval – comprising members Anna Maria Friman, Linn Andrea Fuglseth and Jorunn Lovise Husan – pair with trumpeter Arve Henriksen...
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Shadow Dancing: Sally Smart’s Violet Ballet
The immersive installation The Violet Ballet is the latest iteration of Sally Smart’s examination of influential early 20th century ballet company Ballets Russes and their experimental choreography,...
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Review: By Heart
Ten audience members are invited to take to the stage and commit a sonnet to memory, in an at-times mesmerising exploration of literature, culture and heritage. 7 March 2019 by Alexis Buxton-Collins...
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Close encounters of The Second Woman
Blending new wave cinema, performance art and slow TV, The Second Woman is endurance theatre at its most intimate. 7 March 2019 by Walter Marsh Adelaide Festival Performing Arts Share Facebook Twitter...
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Review: Carmen
In a festival season crowded with Carmens, Dresden’s Semperoper Ballett offer a striking, modern take on Bizet’s classic. 12 March 2019 by Ena Grozdanic Adelaide Festival Performing Arts Share...
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Review: Mahler Chamber Orchestra
Mozart is a reliable crowdpleaser, but the Mahler Chamber Orchestra offer a particularly inspired performance of the composer’s final works. 12 March 2019 by Ena Grozdanic Adelaide Festival Music...
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